The Hero’s Journey as Anti-Narrative: Descent to Dissent on the way up towards Revolution and Resolution in Bong Joon-ho’s Parasite and Disney’s

It can be argued that Campbell’s text The Hero with a Thousand Faces is principally concerned the individual adventurer, man or woman, who embarks on journey goal of breaking bonds his her Oedipal attachments in order to achieve state liberation which mostly means not becoming an adult psychoneurotic. Campbell tells us stages are represented ritual actions cultural rites passage, ceremonials staged by members collective usher across difficult thresholds transformation so he she may find forms and proper feelings new estate. elaboration phases for rich detail illuminating evidence thesis about hero’s ultimate objective describes as exiting nursery. But, what both reproduce conditions passage stand witness becoming? What their role advance hero towards liberation? Is it simply watch wait?